This
digital exhibit shows images of how Kansans responded to the demands and
hardships of life during the 1930s. They had to contend with not
only the economic crisis of the Great Depression but also spates of drought
and dust storms that plagued many Plains states during this decade.
Yet most of the available images as well as the records of the WPA Writers'
Project in Kansas don't dwell on these problems. Rather, they show
ordinary people intent on renewing the land and recovering their lives.
Above all, they show the resilience of people true to their pioneer heritage
who knew they just had to get on with the business of living as best they
could.
This exhibit explores three central themes
of Kansas during the Great Depression: hard times; renewal
and recovery; and resilience. This website contains
both an image gallery and excerpts from the research summaries submitted
by the staff writers who worked on the Kansas Writers' Project for the
Works Progress Administration. Click on the thumbnails below to access
larger versions of the images or PDFs of the excerpts from the WPA Kansas
Writers' Project.
Special Collections and University Archives, Wichita State University Libraries, contains the largest collection in Kansas of materials compiled by WPA researchers, with full or partial records from 50 of the 105 counties in the state. These materials form the basis for the guide originally published in 1939 as Kansas: A Guide to the Sunflower State, and republished in 1984 as The WPA Guide to 1930s Kansas.
The online finding aid to this collection, Papers of the Federal Writers' Project of the Works Progress Administration for Kansas is located at http://specialcollections.wichita.edu/collections/ms/71-01/71-1-a.html.
This digital exhibit is presented as part
of the programming for Soul of a People: Writing America's
Story. Soul of a People
programs are sponsored by the American Library Association in support
of a Spark Media documentary program of the same name to be broadcast
on the Smithsonian Channel HD in Fall 2009. The National Endowment
for the Humanities has provided grant funding to Wichita State University
Libraries for programming in Spring 2009. For more information about
the programs, visit the Soul of a People website
at http://library.wichita.edu/soulofapeople/events.html.
Dust clouds rolling over the prairies, Stovall Studio. Dodge City, Kansas, 1935. Special Collections, WSU
Dust clouds receding after a dust storm, Stovall Studio. Dodge City, Kansas, 1933. Special Collections, WSU
Red Cross volunteers wearing masks during the Dust Bowl drought. Liberal, Kansas. Lamont-Doherty Earth Observatory
John Vachon, Abandoned stores. Shaw, Kansas, 1940. FSA
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Hard Times
The decade of the 1930s Depression was especially hard on Kansas and the neighboring Great Plains states because the economic crisis coincided with drought and dust storms that lasted for much of the decade, particularly in the western part of the state. The late Clifford R. Hope, Sr., a long-time Kansas Congressman, remarked that because of these natural disasters “Kansas and the neighboring Great Plains states got a double dose of misery and calamity”[1] that affected every part of the country during this tumultuous decade.
The worst year in Kansas for dust storms, known as “black blizzards,” was 1935. An article from the April 10th edition of the Garden City Daily Telegram recounts in vivid detail one of the worst dust storms to roll in that year:
The “Black Friday night” duster [on March 15] . . . was equalled if not surpassed by the intensity of the top soil blizzard which swept this region today. After a brief cessation from yesterday’s blow
during the early morning hours, a new storm swept in . . . and grew
steadily worse until it was dark as night before noon. Bright electric
signs could hardly be seen across the street.
Traffic was halted, schools closed, numerous meetings and social
functions postponed and virtually all business in Garden City and
neighboring towns was suspended. Other than grocery and drug
stores most business houses were closed and clerks had returned to
their homes. Only first and second hour classes were held this
morning in the public schools, including the junior college.[2]
A few statistics fill out the grim picture. It should be noted that agriculture was even more central to the state’s economy in the 1930s than it is today. In addition, farmers were already going through tough times during the 1920s, despite the general prosperity of the rest of the country. Things went from bad to worse during the thirties and the total value of agricultural production was only 63% of what it had been during the previous decade. Yields of wheat and corn were generally lower as winds blew off the loose topsoil. There was a severe decline in farm prices for much of the decade. The 1930s is also the only decade when the state as a whole lost population. Many of the problems that Kansans suffered during the Depression were not new, but the boom and bust agricultural cycle that was part of the Great Depression was surely the worst of its kind in the state’s history.
[1] Clifford R. Hope, Sr., “Kansas in the 1930’s,” The Kansas Historical Quarterly, v. 36 (Spring, 1970): 1.
[2] Quoted in Robert W. Richmond, Kansas: A Land of Contrasts, 2nd edition (St. Louis, Mo: Forum Press, 1980), p. 236. |
Town in darkness during a dust storm, Stovall Studio. Dodge City, Kansas, 1933. Special Collections, WSU
Drifts of dust around a farm, Stovall Studio. Dodge City, Kansas, 1933. Special Collections, WSU
Arthur Rothstein, Soil erosion. Crawford County, Kansas, 1936. Farm Security Administration (FSA)
John Vachon, Abandoned farm. Ottawa County , Kansas, 1938. FSA |
CCC construction of Clark County State Lake. Clark County, Kansas. Special Collections, WSU
John Mack Bridge construction. Wichita, Kansas, 1930, Wichita Public Library
Bitting Avenue Bridge, New Deal public works project. Wichita,
Kansas, circa 1935. Wichita-Sedgwick County Historical Museum
Beech aircraft bound for the Philippines. Wichita, Kansas, 1935. Special Collections, WSU
Shoppers at Walker Brothers Dry Goods Company, 129 N. Main Street. Wichita, Kansas, circa 1935. Wichita-Sedgwick County Historical Museum |
Renewal
and Recovery
Public programs for relief and recovery during
the 1930s left an indelible legacy on Kansas agriculture and political
life. Many of the images in this exhibit focus on visible
improvements in agriculture, soil conservation, and public works
projects. Several images reveal the vitality of political
life during the 1930s and the determination of ordinary people just
to get on with the business of living and coping.
The New Deal provided the impetus for better organization and more
cooperation to improve soil conservation. The techniques to
prevent topsoil blowing away were already known in the form of roughening
up the topsoil or getting a cover crop. The challenge was
coming up with a plan that landowners and tenant farmers in Kansas
were willing to follow since the problem could be solved only with
coordinated, continuous and broad-based effort. The dire need
prompted many to push for compulsory measures, and the legislature
passed a bill in 1935 that required landowners to take care of their
land. If they failed to do so, the county would charge the
costs back as additional taxes. Even though the bill was declared
unconstitutional, its re-passage in amended form two years later
marked a turning point in the willingness of owners and tenants
to work with state and government agencies for the common good.
Farmers and other private citizens frequently railed about the extent
of governmental intrusion into their lives. They resisted
legislation that regulated crops and livestock such as the Agricultural
Adjustment Act, but the fact of the matter was that allotment checks
and other New Deal subsidies enabled many people to hold onto their
farms and survive the worst of the Depression. People both
needed and wanted the help, at the same time that they resented
their dependence on public funds.
The 1930s was one of the few decades in the twentieth century that
Kansas enjoyed the give and take of active and lively contests between
the two political parties for both state and national offices. The
presence of a viable third party candidate for governor in 1930
and 1932, John R. Brinkley, added both spice and controversy to
the mix. Brinkley was a doctor specializing in male sexual
rejuvenation using goat glands who advocated populist issues, including
free textbooks, tax equalization, community health clinics, and
a lake in every county to increase rainfall.
Democratic candidates won the governorship twice during the decade,
Harry Woodring in 1930 and Walter Huxman in 1936. Another
Democrat, George McGill, was a U.S. Senator from 1930-1938. Kansas
supported Franklin Roosevelt in 1932 and in his 1936 landslide victory
even though his opponent was Kansas governor and popular native
son Alf Landon. This was one of only three times in the twentieth
century that Kansas voted for a Democratic candidate for president.
Images in this exhibit also document the lively grass roots political
organizing that characterized Kansas political life in this decade.
Examples include two meetings in southeastern Kansas in 1936: a
gathering of wives of Farm Labor Union members in Galena and a political
demonstration of the unemployed in Columbus. |
CCC members. Clark County, Kansas. Special Collections, WSU
Removal of Ackerman Island, New Deal public works project. Wichita, Kansas, circa 1933. Wichita-Sedgwick County Historical Museum
View of New Municipal Beach, South Riverside Park. Wichita, Kansas, 1938. Special Collections, WSU
Mantle factory workers at the Coleman Company. Wichita, Kansas, 1938. Special Collections, WSU
Polar Bear Frozen Custard, Central and Oliver Streets. Wichita, Kansas, circa 1938. Wichita Sedgwick County Historical Museum |
President and Mrs. Roosevelt arriving at Union Station. Wichita, Kansas, 1936. Wichita Public Library
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Arthur Rothstein, Wives of Farm Labor Union members. Galena (Cherokee County), Kansas, 1936. FSA
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Arthur Rothstein, Political demonstration of the unemployed. Columbus, Kansas, 1936. FSA
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Arthur Rothstein, Striking zinc miners. Cherokee County, Kansas, 1936. FSA |
John Vachon, Farmer’s Union Coop grocery store, recipient of an FSA loan. Centralia, Kansas, 1938. FSA |
Russell Lee, FSA supervisor and client examining silage quality from trench silo. Sheridan County, Kansas, 1939. FSA
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Russell Lee, FSA home supervisor conferring with wives of FSA clients. Sheridan County, Kansas, 1939. FSA
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Russell Lee, Mr. Johnson, FSA client, building a small dam of board and tumbleweed. Syracuse, Kansas, 1939. FSA |
Kansas farm women’s literary meeting. U.S. Department of Agriculture
Kansas Diamond Jubilee celebration. Wichita, Kansas, 1936. Wichita Public Library
Russell Lee, Tightrope performers at 4-H Club fair. Cimarron, Kansas, 1939. FSA
John Vachon, Tenant farmer and FSA rehabilitation client. Jefferson County, Kansas, 1938. FSA
Chinese and English New Year greeting card with photographer M.S. Fong’s self-portrait. Wichita, Kansas, circa 1939. Wichita-Sedgwick County Historical Museum
John Vachon, Men talking politics in front of the hotel. Oskaloosa, Kansas, 1938. FSA |
Resilience
Despite the severity of the economic crisis and the dust bowl in Kansas during the Great Depression, the iconic images of this period are, paradoxically, not those of despair or abject poverty but resilience. Oral testimonies and other written accounts, including the records from the WPA Writers’ Project in Kansas, confirm the accuracy of this attitude. Selections from the Kansas Writers’ Project in Special Collections and University Libraries, Wichita State University Libraries, are included below.
Most noteworthy were people’s willingness to pull together and their reluctance to leave Kansas. The following three comments by Kansans who lived through this period get to the heart of the matter with an understated eloquence that evokes the quiet strength of those who felt they had no choice but to persevere.
A homemaker in western Kansas reflects on the rhythms of social life in the mid-1930s that brought people together:
Strange as it may seem we had fun. I can remember the days when
the wind and dirt would blow all day until along about sunset when
the wind would go down and the air would clear. One of the neighbors
would drive into the yard . . . and say “come over for supper.” We
would hurriedly fix a dish of something to take and the whole family
would go; after supper we would play cards and have a really good
time. We also had party dances in our homes; there would be two
or three men available who played a violin and a guitar; we would
move enough furniture out of the front room so we would have
enough room to dance. . . . Most of us managed to buy a radio, which was something new, and spent many a night listening to the programs and music.[3]
To one resident of western Kansas, what mattered most were the bonds created by shared hardships that mattered more than who people were or how much or little they had:
All were equal with no money. In sickness or problem times all helped – a people-to-people relationship, what the government says
we need to do now to solve some of our social problems. We had it then. . . . All were accepted, even if you could not pay your bills or if
you were a sly businessman, you all belonged.[4]
In a 1941 article explaining why most people in western Kansas chose to stay, local writer Ada Buell Norris reflected:
Why do we stay? In part because we hope for the coming of moisture, which would change conditions so that we again would have bountiful harvests. And in great part, because it is home. We have reared our family here and have so many precious memories of the past.
We have our memories. We have faith in the future, we are here to stay.[5]
The responses of these people, like the images and WPA Writers’ Project excerpts displayed here, reveal the optimism and steely determination that drew people out to Kansas in the first place and instilled in them the resilience and courage to transform adversity into opportunity.
[3] Ibid., p. 239.
[4] Ibid., p. 252.
[5] Ada Buell Norris, “Black Blizzard,” Kansas Magazine (1941, Manhattan, Kansas), p. 103, quoted in Hope, “Kansas in the 1930’s,” p. 7. |
McKenzie Midget Auto. Wichita, Kansas, circa 1932. Wichita-Sedgwick County Historical Museum
KANS Radio Broadcast. Wichita, Kansas, 1938. Special Collections, WSU
Russell Lee, Dance poster in drugstore window. Syracuse, Kansas, 1939. FSA
Arthur Rothstein, Coal miner. Cherokee, County, Kansas, 1936. FSA
Friends posed for group portrait. Wichita, Kansas, 1938. Wichita-Sedgwick County Historical Museum
John Vachon, Young farmer. Jefferson County, Kansas, 1938. FSA |
Birger Sandzen in front of his mural “Kansas Stream.” Special Collections, WSU
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District School” print by Herschel Logan. Salina, Kansas, 1934. Special Collections, WSU |
“Kansas Hills” print by Herschel Logan. Salina, Kansas, 1934. Special Collections, WSU |
Kansas map cartouche by Robert Aitchison. Wichita, Kansas, 1936. Special Collections, WSU |
“Development of Aviation,” WPA KS Writers’ Project, Special Collections, WSU |
“Kansas Wheat Field,” WPA KS Writers’ Project, Special Collections, WSU |
“Wheat Harvest,” WPA KS Writers’ Project, Special Collections, WSU |
“Cave on Rutherford Farm,” WPA KS Writers’ Project, Special Collections, WSU |
“Valley Center,” WPA KS Writers’ Project, Special Collections, WSU |
“American Indian Institute,” WPA KS Writers’ Project, Special Collections, WSU |
“St. Peter Claver Parish,” WPA KS Writers’ Project, Special Collections, WSU |
“Syrians,” WPA KS Writers’ Project, Special Collections, WSU |
“Negroes,” WPA KS Writers’ Project, Special Collections, WSU
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“James Ellis Pope, former slave,” WPA KS Writers’ Project, Special Collections, WSU |
“A Tramp Speaks,” WPA KS Writers’ Project, Special Collections, WSU |
“Hazel Branch,” WPA KS Writers’ Project, Special Collections, WSU |
“Helen Houston,” WPA KS Writers’ Project, Special Collections, WSU |
“Madeline Aaron,” WPA KS Writers’ Project, Special Collections, WSU |
“Kathleen Kersting,” WPA KS Writers’ Project, Special Collections, WSU |
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Credits:
Text and image selection by Dr. Lorraine Madway. Exhibit design by Dr. Lorraine Madway and Mary Nelson. Digital images created by Mary Nelson, Kelly Dyer, Elysia Schooler and Deb Koons.
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